The Tone Hammer 500 blends warm, musical EQ with a smooth, fat low end and robust DI output. Loved in studios and live settings alike, it's praised for delivering vintage...
Combining punch, clarity, and portability, Markbass’s Little Mark III head and CMD 102P combo revolutionized lightweight pro rigs in the 2010s. Its transparent tone and featherweight form made it an...
Combining punch, clarity, and portability, Markbass’s CMD 102P combo revolutionized lightweight pro rigs in the 2010s. Its transparent tone and featherweight form made it an instant favorite for jazz, pop,...
Hartke’s aluminum-cone systems offered reliability, affordability and a distinctive crisp tone. The HA3500 head and Kickback 12 combo became workhorses in rehearsal spaces and club stages—delivering surprisingly large sound from...
Before Fender acquired the brand, SWR’s SM-900 and related WorkingPro amps were hailed for their bright highs, scooped midrange and tone-shaping flexibility. They were favorites among funk, fusion, and session...
Known as the “World Tour” head, the Eden WT-800 offered warmth, clarity, and effortless tone shaping. Beloved in studios and high-end gigs, it provides rich harmonic detail while maintaining punch...
GK’s 800RB and 1001RB-II heads have long been cherished for their precise, articulate tone and headroom. The 800RB brought tight low end and dynamic midrange bite, while the 1001RB-II added...
The ideal match for the PF-500, the 4×10" PF-410HLF cabinet offers tight, punchy lows and smooth high-frequency response. Built with 15 mm plywood, casters, and inset handles, it’s optimized for both...
This 500 W Class D/MOSFET amp head brings vintage Ampeg tone to a portable form factor. At just ~6.8 kg, it features a flip-top lid, integrated effects loop, compression, Ultra Hi/Lo boosts, and...
Often paired with the SVT-CL, the sealed 8×10" cabinet is as much a part of Ampeg lore as the head itself. Ideal for handling the SVT’s full 300 W output, it...